Get this from a library! Estética de lo feo. [Karl Rosenkranz; Miguel Salmerón]. Libros de Segunda Mano (posteriores a ) – Literatura – Ensayo: Karl rosenkranz. estetica de lo feo. editor julio ollero. ver fotografias adjuntas.. Compra. Libros de Segunda Mano – Pensamiento – Filosofía: Estética de lo feo. karl rosenkranz. colección imaginarium nº 5. Compra, venta y subastas de Filosofía en.

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Estética de lo feo

The article proceeds genealogically Sontag raises this topic when she is analyzing the shots of Diana Arbus, she writes on borders and landmarks of the photoprogramm of beauty.

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The contrast with the beautiful can be a distinct way of illuminating that notion, and with it the ideal of art as such. Find a copy in the library Finding libraries that hold this item You already recently rated this item.

Please select Ok if you would like to proceed with this request anyway. Create lists, bibliographies and reviews: This insistence on the specificity of ugliness, and on its dynamic status as a process afflicting aesthetic canons, reflects Rosenkranz’s interest in the metropolis – like Walter Beauty is the ground of the photography program, its main subject and one of the biggest problems of photography.

Estética de lo feo (Book, ) []

Also, in this paper we propose a differentiation hideous manifestation within the discourse of loving. Advanced Search Find a Library. Finding libraries that hold this item This insistence on the specificity of ugliness, and on its dynamic status as a process afflicting aesthetic canons, reflects Rosenkranz’s interest in the metropolis – like Walter Benjamin, he wrote on Paris and Berlin – and his voracious collecting of caricature and popular prints.

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A dynamic table of contents enables to jump directly to the chapter selected. The philosophy of education by Karl Rosenkranz and 4 more Free See similar titles.

Aesthetics of Ugliness A Critical Edition by Karl Rosenkranz and 2 more In this key text in the history of art and aesthetics, Karl Rosenkranz shows ugliness to be the negation of beauty roseknranz being reducible to evil, materiality, or other negative terms used it’s conventional condemnation. Search WorldCat Find items in libraries near dee.

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Karl Rosenkranz

Heimann’s Verlag Choose your country so we can show books available in your region. The E-mail message field is required. For the aesthetic thinkers of the late nineteenth century, art and literature must be perpetually on their guard against a certain gratuitous form of sensual spectacle, which not only violates moral conventions, but also threatens a particular idea of the human being and its relationship to the external world in a way that is not merely historical, but continues to be relevant to literary and philosophical debates today.

Spanish View all editions and formats. Pedagogics as a System. View all subjects More like this Similar Items. Log In Sign Up.

Karl Rosenkranz’s Aesthetics of Ugliness, here carefully edited, lucidly introduced, and elegantly translated by Andrei Pop and Mechtild Widrich, shows us in detail how one might understand this contrast, illuminating fundamental issues in aesthetics and in the self-understanding of modernity along the way — a very valuable contribution to any discussion. Item s unavailable for purchase.

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Translated from the German by Anna C. Spanish View all editions and formats Rating: You are currently in the: Please enter recipient e-mail address es. Cancel Forgot your password? In this key text in the history of art and aesthetics, Karl Rosenkranz shows ugliness to be rosenkrznz negation of beauty without being reducible to evil, materiality, or other negative terms used it’s conventional condemnation.

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Karl Rosenkranz Research Papers –

The name field is required. Beauty is the ground Citations are based on reference standards. Your Web browser is not enabled for JavaScript. Within this genealogy, the obscene emerges as a concept that extends far beyond either legal pragmatics or emotional susceptibility to delineate a particularly suspect play of exposure and concealment, isolation and integration, presence and significance, absorption and theatricality.

Pedagogics as a system. The author emphasizes that although love is not ontologically linked with all sorts of ugly, including and disgusting, but at the same time, the object of love can be a “marker” that is perfect, and that’s disgusting.

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