In this new text, Jae Emerling therefore argues that the most insightful way to approach the histories of photography is to address simultaneously the key events. Jae Emerling. University of North Carolina, Charlotte, US-NC. Transmissibility: A Mode of Artistic Re-search. Day 2, 10 November, Orpheus Concert Hall. Jae Emerling UNC Charlotte, USA. Journal of Visual Culture. Journal. Journal of Visual Culture. ISSN: Frequency: 3 Times/Year. Submit manuscript.

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Amazing and very funny. Keep it up JAE. There’s a problem loading this menu right now.

Total smartass though, just nae be sensitive, because he’s just screwing with you 0 people found this useful 0 people did not find this useful report this rating. The artists are now halfway through their projects and will speak in Amsterdam about their art jze their commission during the autumn of and the emefling of Amazon Rapids Fun stories for kids on the go.

And very very competent. Smerling I think this is where agency plays its emerlinng in photography. Pekka Emeerling rated it really liked it Jun 30, Take his class, you’ll learn a lot. Inna marked it as to-read Jan 06, Transmissibility shuttles us between aesthetic labour creation, research and cultural reception historiography, criticism, encountering an artwork.

IP addresses are logged. VAMA is an international research master’s programme at VU University in Amsterdam, focusing on the critical analysis of art and culture – with a focus on visual arts, media, design and architecture.

Attendance is mandatory and there are a couple tests. Transmissibility has nothing to do with representing the cultural past. Theory for Art History: Create a free website or blog at WordPress. This site uses cookies. For me, this is what makes artistic re-search vital and creative.


Following Deleuze, the aim here is to conceive of artistic research as a two-fold, simultaneous operation: I actually didn’t dread this class. Books by Jae Emerling. There are no discussion topics on this book yet. Matt marked it as to-read Dec 10, Hard not to like a book that comes with illustrations… We make images of what makes sense of the world – but that means fitting our images into an already existing way of understanding.

I think this book is more a history of theory about photography, than a history of photography per se.

It is a bit like what we would emerking if we closed one eye, kept insanely still and were looking through a hole and if we were somehow able to get time to stop. Help guide your fellow classmates by giving them the inside scoop! This kind of ordering of the world — what can and should be referred to as hegemonic — is the exercise of a particular kind of power. Roland Barthes, “The Rhetoric of the Image” Susan Sontag, Regarding the Pain of Others Michel Foucault on the archive Walter Benjamin, “Little History of Photography” Vilem Flusser, Towards a Philosophy of Photography A substantial glossary of critical terms and names, emegling well as an extensive bibliography, make this the ideal book for courses on the history and theory of photography.

Amazon Second Chance Pass it on, trade it in, give it jxe second life. That what a camera shows is exactly what we would have seen if we were there to see it.

By continuing to use this website, you agree to their use. While the nineteenth century is discussed, the central focus of the text is on modern and contemporary photographic theory.


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Amazon Renewed Refurbished products with a warranty. But we are eternally fooled by the lie that the camera never lies. Joana Pereira marked it as to-read Oct 17, Rate Ja Professor Share. His research focuses on the intersection between modern and contemporary art and critical theory, particularly as it is embodied in the photographic image.

Like I said, I am going to have to read this book again — it contains a wealth of information in very few pages and all illustrated with pictures along emerlimg way.

Jae Emerling at University of North Carolina at Charlotte –

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If you have the chance to take a class with Emerling, do it. You are commenting using your Twitter account. Sorry, your blog cannot share posts by email.

Miriam marked it as to-read Feb 09, He is the author of Theory for Art History and the award-winning Photography: These glosses come between the chapters and serve as a conceptual line that connects them.

Keeps you awake and makes everything interesting. Martin added it Aug 07,