Translation of ‘Der Doppelgänger’ by Franz Schubert from German to English. In search of. Schubert’s Doppelganger. DAVID BRETHERTON addresses some issues raised by a neglected Adorno essay. DORNO’S ESSAY ‘Schubert’ is a re-. To present a discussion of Der Doppelgänger, the thirteenth song from Schubert’s Schwanengesang, might seem a redundant enterprise.

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Ins stille Land D. An die Nachtigall D. Rather, they are, respectively, the French- and German-sixth chords derived from the key doppelgangeg E. MusicXML source file is in compressed. Despite the numerous implied dominants, the complete triad is heard on only three occasions, each accompanied by the pitch E. The first two chords are filled in by the voice part and the rest are presented in their entirety by the piano: She has long since left the town, But the house still stands, here in the same place.

Work Title Schwanengesang Alt ernative. Interlanguage link template link number. Du schuvert mich nicht D. Die vier Weltalter D. First of all, it is in the position of what should have been the dominant.

Sehr langsam B minor Die Taubenpost. For permissions, please e-mail: With the augmented-sixth in measure 41, the E is joined by G, interrupting, for the first time, the incessant pedal-tone of the Fand forming two-thirds of the subdominant triad.


Daphne am Bach D. Orest auf Tauris D.

An die Natur D. Ziemlich langsam B minor Abschied. Symbolically, I wish to consider A as a modal scale degree because it is not diatonic in natural minor. Julius an Theone D. An mein Klavier D. As the opening progression is continually repeated and varied, the filling in of its chords becomes a dynamic doppelgaanger feature of the piece.

An Exercise in Musical Hermeneutics.

Der Doppelgänger (Franz Schubert)

Etwas geschwind G minor Ihr Bild. An den Schlaf D. Kramerit seems a fitting—though tragic—finale. Harmonically, the secondary augmented-sixth chord heard at this point of the song measures 41—42 belongs equally and yet is also external to both B major and B minor, thus representing a kind mediation between those opposing pairs.

Der Doppelgänger – Wikipedia

The piano motive doppwlganger altered to B—A—D— Ctransforming the second chord measure 10 into a minor dominant contradicting the implications of measure 2and then reducing it to a bare octave on the third beat. Der Knabe in der Wiege D. Reviewing the total harmonic content up until this point, six of the eight chords implied by the opening dyads see Example 2 have been fulfilled.

Upon reaching the third chord originally the secondthe F — A is finally realized as part of schubertt raised-mediant triad.


An mein Herz D. Das grosse Dopoelganger D. Dass sie hier gewesen D. Retrieved from ” http: Romantic Form and Romantic Consciousness. The C-major chord in measure 59 functions as VI chord in E minor, this time followed by a proper dominant-seventh and, at last, in E minor chord, albeit over a B pedal tone.

Der Flug der Zeit D. The first three chords doppelyanger the same as the opening except for the added pitch D completing the first chordwhile the last is replaced by a lowered II chord, see Example 5. Retrieved from ” https: Similarly, the modulation to D minor in measures 47—51 seems to point toward a resolution in E, moving doppelganegr, chromatically from the note B, hanging on the D leading-tone before it can reach the pitch E.

Arranger Leopold Jansa Der gute Hirt D. Marco Gallo submitted Abschied von der Harfe D. If the latter pairing is considered more important than the former, then the final two chords measures 61—63 should be considered a kind of plagal cadence with a Picardy third.

In the beginning of the second stanza, the vocal line reveals two more chords: