Download Citation on ResearchGate | Culturas híbridas: estrategias para entrar y salir de la modernidad / Néstor García Canclini | Incluye bibliografía e índice }. Culturas Hibridas by Nestor Garcia Canclini. ( ratings). Paperback Book, pages. Description: The essays in this book address the latest topics and. How do we speak of modernity?’ That is the question that García Canclini asks at the beginning of his book, Culturas Híbridas: estrategias’para entrar y salir de.
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Criticas y reseñas
How do we analyse those phenomena that are not covered by traditional categories of high or popular culture? This representation of the national patrimony over-looks the hybrid forms assumed by traditional ethnic groups when they come into contact with capitalist socioeconomic and cultural development’. Jean Franco Publicado en: I cannot go into the details of her analysis.
In its weaker sense, it might simply refer to the postmodern permission to use all repertoires canxlini worrying about authenticity. Francis Barkeretal Colchester, Essex, vulturas. One of the women, dressed in a huipil and a long skirt, kneels in the foreground, apparently tending an open fire.
This is evident from a photograph of the interior of the ethnology room of the Museum which shows a group of life-size figures representing an indigenous family By gender I do not mean women or making space for women. The trouble with the old term mestizaje was that it suggested that culture sprang naturally out of copulation. Hence the significance of a question posed by Nelly Richard: The display of religious objects is monumental in contrast to the miniaturization of the reproduction of a market scene that is just behind the Sun Stone.
Gender is not a woman’s problem but an essential category of analysis. Finally the big question: The book found a way out of the false dichotomies of tradition or modernity, artisan products or art. What is distinctive about Latin America now.
For further discussion hirbidas monumentalism, see Susan Stewart: His Culturas populares en el capitalismo was a real hibridzs in that it described artisan production and fiestas not as survivals or degenerate remnants of a once authentic culture but as immensely variable relations to the market, to national culture and to local history.
Narratives of the Miniature, the Gigantic, the Souvenir, the Collection. The archaeological exhibition is on the ground floor and represents the past.
How do we reconcile different disciplinary approaches to the question? The subjectivities constituted in this new world order are gendered and mobile.
Culturas hibridas – Nestor Garcia Canclini. Entrada. by marvin code on Prezi
But it is only the latter that undo the power of the centre. Hybridity is a botanical metaphor closely linked therefore to the notion of culture as cultivation, but it has some of the same problems as mestizaje.
How does one study the millions of indigenous people and peasants who migrate to major cities or the workers who are incorporated into the industrial organization of work and consumption? The omission of problems of subjectivity and enunciation limit the interdisciplinary potential of this book.
What does a television producer or a market researcher understand by the popular? What then is the stake in ‘hybridity’?
Clearly the imperial thrust of hibrids Natural History Museum is not to be equated with the national narrative of the Anthropological Museum although the articulation of gender in the narrative is equally important.
Thus for instance Bal’s semiotic study points out that the nineteenth hibridxs statue of Queen Maya giving birth to the Buddha from her side, marks a transition between the exhibition of animals to that of foreign humans. Introducing gender into a discussion of the national patrimony might also have led to the question of how male and female have been significantly recoded by the media and private enterprise.
One contemporary recodification of gender is, indeed, graphically represented by a photograph of a group of feminists standing in front of the statue of Mexican Motherhood. But the scene surely also illustrates the breakdown of the old categories of public and private. In Latin America, the staging of difference is perfectly compatible with integration into the global system.
nestor garcia canclini – Culturas Híbridas (inglés) _Franco
Whether this adds up to a more democratic culture is another matter, given that ‘there is still inequality in the appropriation of symbolic goods and in access to cultural innovation’.
How do we study modernity? And not only must he make notes but he must also make sense: Indeed the discussions of theories of modernity and postmodernity which are reproduced here only strengthen the impression that these words are mere props that only disguise a rather old problem – that of Latin American difference.